“I walk slowly, like one who comes from so far away he doesn’t expect to arrive.”
Jorge Luis Borges in Boast of quietness
Debasis Mukhopadhyay is the author of the chapbook “kyrie eleison or all robins taken out of context” (Finishing Line Press 2017). His poems have appeared or are forthcoming in journals & anthologies, including Posit, Words Dance, The Curly Mind (UK), Erbacce (UK), Strange Poetry (UK), Yellow Chair Review, I Am Not A Silent Poet (UK), The New Verse News, Rat’s Ass Review : Love & Ensuing Madness, Writers Against Prejudice (UK), Manneqüin.Haüs, Algebra of Owls (UK), The Skinny Poetry Journal, Of/With : Journal of Immanent Renditions, Anapest Journal, Communicators League (Nigeria), No Tribal Dance (UK), Quatrain.Fish, Duane’s Poe Tree, Walking Is Still Honest, Leaving My Shadow : A Tribute to Anna Akhmatova, Thirteen Myna Birds, Whale Road Review, The Apache Poetry Blog (Sweden), Scarlet Leaf Review, Silver Birch Press, The Bitchin’ Kitsch, Foliate Oak, Eunoia Review, Revolution John, Fragments of Chiaroscuro, Down in the Dirt, With Painted Words (UK), The Wagon Magazine, Snapping Twig, Words Surfacing, Praxis, Apple Fruits of an Old Oak, and Voice of Monarch Butterflies. His work has been nominated for the Best of the Net.
He was born in India & spent many years of his life in Kolkata (Calcutta), where he began writing poems. A fair number of poems in pora gach o megh oré, his debut collection of poetry in Bengali (Art Publishing, 2005), date back to this time of his life in India. Debasis holds a PhD in literary studies from Université Laval, Québec, Canada. His doctoral thesis constitutes an instance of multidisciplinary approach, exploring the linkage between two broad themes of social epistemology : travel and spatiality. The work is focused on the analysis of the Occidental subjectivity’s search for self and its perception of spatiality through Third World travel. The thesis can be found here :
Voyage à la Rencontre de la misère et pouvoir d’attraction de l’espace de l’Autre. Calcutta dans l’imaginaire occidental contemporain – étude de cas: Le chant de Kali et La Cité de la joie (Travel to Meet With The Poor and The Power Of Attraction of The Space of the Other. Calcutta in the Contemporary Western Imagination – A Case Study of Song of Kali and La Cité De La Joie).
He now lives in Montreal with his wife and his son. When his hand turns poetry, he just walks up to Monnet’s poppy field against the wall & bends down to swaying flowers thinking of the words gone in blood. When he is not writing, his best inspiration turns out to be what Xu Schen wrote (58 CE ̶ ca. 147 CE) : “Ink, whose semantic component is ‘earth‘, is black.”
Debasis can be contacted at firstname.lastname@example.org or @dbasis_m on Twitter.